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cheyenne_h on 04/25/2017 at 01:29PM

All Ages: Kid-Friendly Music on FMA

A selection of albums from Kazoomzoom, a netlabel for kids.

The FMA's Terms of Use indicate that the intended audience for our archive is anyone 13 or older, but there are tracks on FMA appropriate for listeners of any age. But how to find them??

Lots of music on our site is available for use in noncommercial, educational contexts, so it's no surprise that teachers come looking for music they can use in student projects and for general classroom use. (Psst - if you're an educator with questions, check out our special FAQ, just for you!) But looking for audio that's safe for non-commercial use doesn't always return the most kid-friendly results. 

There's the netlabel for kids, Kazoomzoom, has been with FMA for years, and releases with names like "The Ambient Baby" -- but we wanted to make a better, easier way for parents and teachers to find music they could use.

Our best solution to this was to incorporate a new genre tag, "Kid-friendly," which collects all music that is either by kids, for kids, or both! If you cruise around this page, you'll find all sorts of stuff - songs about pants that try to ride a bike on their own, pirate songs, bouncy chiptunes, and much more! However, some of these songs may have lyrics or themes that are intended for specific ages within the kid-friendly range - so we ask that parents and educators still preview the music before sharing it with a younger audience. 

Are you a parent or educator looking for instrumentals? Try Podington Bear's short & catchy CC BY-NC instrumental treasure trove (and it's safe for use in video!) or the fabulous collection of classical music from the Isabella Stewart Gardner Museum

Do you make music for kids and want to add yours to the collection? Get in touch or comment below!

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LaughingGear23 on 04/19/2017 at 03:47PM

All Eyes and Teeth

Recording session for Rappers Go Home

Being a rapper I find one of the biggest challenges is to find stuff to write about. Having already done my song about finding the remains of an angel, and a whole album pretending to be a galaxy spanning space captain hip-hop extremist, I needed to find something else to talk about.

A few years back I was reading the news about Iraq and Afghanistan and what the article didn’t give me was the ‘why’. Why was it happening? What was the history which drove the behaviours? Who wanted what outcomes? What could be done about it? So, to help me understand I read a few books about recent events by investigative journalists and a few books about history and then a bit of Noam Chomsky – and after all that I was quite depressed and didn’t fancy our chances as a species. But I did have a new perspective and some thoughts to write about!

All Eyes and Teeth – which is now available on FMA – was intended as a side project to work on while other band members finished another release. The way the band works is that we pretty much let each member explore any avenue they want allowing us to develop new styles on side projects and then bring it back into the mix on the more joined up albums. For All Eyes and Teeth I wanted to distil what I was learning, bringing it all together, and bring it to life. So the album starts with a general statement of dissatisfaction (All Eyes and Teeth) and ends with a positive view of the future.

Along the way there is a track on the state of journalism, the emotional stress of dealing with it all, the patterns of social power, and a few more positive tracks as it’s not all impossible. And a few tracks where I talk shit with Quiet Man and Obsolete about how good we are as rappers and how cool we are and stuff. You have to do that on rap albums. It’s tradition.

Words aside, the music on this album is a mix of funky beats from Tuck Pendleton and Watchmaker's slightly less sample driven and more programmed electronic tinged beats. I wanted a variety and order of tunes to keep the album moving forward – keep the listener listening. Watchmaker and Tuck did the damage and made some excellent beats that we polished till they were solid and Just Right. Tuck has frequently voiced his opinions through vocals samples and he did that here on the Interlude tracks adding new angles on the same subects I was to talking about.

So… now that it’s done I can say that it’s come out sounding better than I had hoped. I’m delighted that we’ve created the album I wanted to hear. Goes without saying that some folk will like it and some folk won’t but I’m hopeful that the intention and love that we put into this is apparent. Hope you all enjoy it!

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TAGGED AS:
alleyesandteeth, eaters
Bozoo on 04/18/2017 at 02:09PM

Eddie 135 - The Dragon's Teeth

For its 33rd release, Da ! Heard It Records dives into the origins of Creation.

Recorded in five days in London, at James Ogilvie’s studio in 2010, Dragon’s Teeth is the confrontation of eddie 135’s experimental tweaks and Shitblaster’s science of mix. Saturated like the oil from the fish and chips that three musicians greedily gulp up between two work sessions, the series of improvisations produced by Adrien, Matthieu, and James one evening, serves as the sizzling play-do used to conceive this future disc. From this initial magma that blends rhythm boxes, Juno synthesizer, and a deluge of pyrotechnical effects, accidental beaches form and reveal little by little large blankets that wrap the listener into an actual flow of lava. Petrified, the listener thus takes all the time needed to let oneself become invaded by the ensemble’s numerous textures…

Taking everything with them on their way, the four gobbling geezers deployed here evolve in jolts to bring back from the depths this mysterious dragon’s tooth. Instinctive, brutal, yet mastered, this album’s boiling energy proves once more that the first idea is often the right one.
Dragon’s Teeth, the 33rd release of Da ! Heard It Records, is distributed under a Creative Commons License BY-NC-ND. The album is available for free listening and downloading at the following link: http://www.daheardit-records.net/en/discography/dhr-33 & http://freemusicarchive.org/music/Eddie_135__The_Shitblaster/The_Dragons_Teeth/

Via Da ! Heard It Records » Visit Blog » 0 COMMENTS Share
TAGGED AS:
experimental, drone, noise
cheyenne_h on 03/29/2017 at 08:27PM

New Curator Spotlight: Commune Oreille

Commune Oreille's logo.

If you've been paying attention to the recently added music to our little website, you've probably noticed a few new curators popping up in the results. One of these noteworthy newcomers is Commune Oreille. Some curators are actual radio stations, but this one is a radio show affiliated with Radio Zinzine.

Commune Oreille is also a collective that organizes live performances in a small town in southern France, Forcalquier. Some of the live recordings found in their curator area are from these concerts.

With a focus on free music and frequent live guests, they're off to a great start. So far, more than 150 songs have been added to FMA by Commune Oreille, and we're looking forward to much more!

Though many curators have an identifiable, genred focus, Commune Oreille's collection spans a variety of musical styles. Angry noise-rockers SEC, twee indie-punks Mega Gem, chiptune composers 1UP Collectif, beatmaster Panda Dub and accordion-fueled post rockers Dure Mere are just a few of the fresh sounds you can explore! To make it a little easier on you, they've put together a playlist of highlights to enjoy, but don't let that stop you from diving in to their full catalog.

 
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Featured Mix

Repossessed
Creo - "Sphere" (04:00)
Glass Boy - "Prose" (03:50)
Glass Boy - "Prose" (03:50)
Uniform - "Tabloid" (04:04)
Uniform - "Tabloid" (04:04)
Minusminus - "PBK" (01:26)
Minusminus - "PBK" (01:26)
UPLOADED:04/25/2017
TRACKS:21
LISTENS:0
STARRED:0
DOWNLOADS:0
EMBED THIS MIX:

Music Licenses: A Handy Guide!

Quick Guide to FMA Licenses

Go ahead and take a peek at our License Guide, assembled as a quick reference sheet for the variety of music licenses we carry on our site. From the array of Creative Commons options to the FMA-Limited to Public Domain dedications, this guide tells you what you can - and can't! - do with the music you find here. 

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